研究口语中单音节词的声调如何受语境和词义影响
A corpus-based investigation of pitch contours of monosyllabic words in conversational Taiwan Mandarin

- 用语料库分析3824个词的音高轮廓,分离出语境与词义的影响
- 实际发音中,声调受前后音影响显著,部分声调变为平调或低音
- 词义对音高有显著影响,比词本身的作用更关键
普通话中单音节词在孤立或慢速说话时具有四个标准声调:高平调(T1)、升调(T2)、降升调(T3)和降调(T4)。但在自然对话中,由于音节内及音节间协同发音的影响,实际发音常偏离标准声调。基于Chuang等(2024)关于双音节词中声调模式与意义共决定的研究,本文通过语料库方法,考察台湾普通话口语中单音节词的音高轮廓,重点关注语境因素与词义的作用。分析了63种词类共3824个词例的基频(F0)轮廓,采用广义加性混合模型将观测音高分解为多个分量。结果表明,声调上下文显著改变词的标准声调;控制上下文后,T2与T3表现为低平调,与高调(T1)和高低降调(T4)形成对比。轻声(T0)在标准描述中依前一音调而定,但在本研究中表现为独立的低音,其变化受其他预测因子影响方式与标准声调一致。此外,词及其词义共同决定音高轮廓,随机森林变量重要性分析进一步支持语境与词义的显著作用。
原文摘要 · Abstract (English)
In Mandarin, the tonal contours of monosyllabic words produced in isolation or in careful speech are characterized by four lexical tones: a high-level tone (T1), a rising tone (T2), a dipping tone (T3) and a falling tone (T4). However, in spontaneous speech, the actual tonal realization of monosyllabic words can deviate significantly from these canonical tones due to intra-syllabic co-articulation and inter-syllabic co-articulation with adjacent tones. In addition, Chuang et al. (2024) recently reported that the tonal contours of disyllabic Mandarin words with T2-T4 tone pattern are co-determined by their meanings. Following up on their research, we present a corpus-based investigation of how the pitch contours of monosyllabic words are realized in spontaneous conversational Mandarin, focusing on the effects of contextual predictors on the one hand, and the way in words' meanings co-determine pitch contours on the other hand. We analyze the F0 contours of 3824 tokens of 63 different word types in a spontaneous Taiwan Mandarin corpus, using the generalized additive (mixed) model to decompose a given observed pitch contour into a set of component pitch contours. We show that the tonal context substantially modify a word's canonical tone. Once the effect of tonal context is controlled for, T2 and T3 emerge as low flat tones, contrasting with T1 as a high tone, and with T4 as a high-to-mid falling tone. The neutral tone (T0), which in standard descriptions, is realized based on the preceding tone, emerges as a low tone in its own right, modified by the other predictors in the same way as the standard tones T1, T2, T3, and T4. We also show that word, and even more so, word sense, co-determine words' F0 contours. Analyses of variable importance using random forests further supported the substantial effect of tonal context and an effect of word sense.
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