用1.1万张浮世绘图像量化分析艺术创造力，发现风格愈发分异但整体创意下降。
Disruptive Transformation of Artworks in Master-Disciple Relationships: The Case of Ukiyo-e Artworks
- 基于1.1万张高清浮世绘图像，用网络模型计算作品与艺术家的创造力。
- 浮世绘整体视觉创意随文化成熟而下降，但风格分化程度上升且保持高创意水平。
- 为东方艺术研究提供量化范式，适合关注艺术演化与文化变迁的读者。
艺术研究长期依赖人类直觉与主观判断，而机器学习的发展使人类难以察觉的特征得以定量评估。西方绘画已借助大规模数据库从多角度开展全面分析，但东方绘画尚未得到同等程度的研究。本文以日本传统浮世绘为例，对11,000幅高分辨率图像进行定量分析，运用网络模型计算艺术作品及艺术家的创造力。结果显示：就整体表现而言，浮世绘的视觉创意随文化成熟而下降；但就风格而言，其分化程度随文化成熟而增强，并持续维持高水平的创造力。该研究不仅为浮世绘研究提供了新视角，也揭示了浮世绘在文化演进中的动态角色，对东方艺术的分析具有重要文化意义。
原文摘要 · Abstract (English)
Artwork research has long relied on human sensibility and subjective judgment, but recent developments in machine learning have enabled the quantitative assessment of features that humans could not discover. In Western paintings, comprehensive analyses have been conducted from various perspectives in conjunction with large databases, but such extensive analysis has not been sufficiently conducted for Eastern paintings. Then, we focus on Ukiyo-e, a traditional Japanese art form, as a case study of Eastern paintings, and conduct a quantitative analysis of creativity in works of art using 11,000 high-resolution images. This involves using the concept of calculating creativity from networks to analyze both the creativity of the artwork and that of the artists. As a result, In terms of Ukiyo-e as a whole, it was found that the creativity of its appearance has declined with the maturation of culture, but in terms of style, it has become more segmented with the maturation of culture and has maintained a high level of creativity. This not only provides new insights into the study of Ukiyo-e but also shows how Ukiyo-e has evolved within the ongoing cultural history, playing a culturally significant role in the analysis of Eastern art.
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