AI机器人在艺术装置中自主互动，观众成共同创作者。
Multi Layered Autonomy and AI Ecologies in Robotic Art Installations
- 三层自治系统驱动机器人生态：微观适应、中观叙事、宏观指令
- 机器人随环境与观众呼吸变化行为，实现动态协同创作
- 适合关注人工智能伦理与当代艺术交叉的读者
本文介绍由陈宝洋（baoyangchen.com）创作的大型艺术装置《共生代理人》（Symbiosis of Agents），该装置将由人工智能驱动的机器人嵌入镜面环绕的沉浸式空间，探索机器自主性与艺术创作权之间的张力。作品借鉴早期控制论、规则化概念艺术及经典机器人作品，协调机械臂、四足机器人、环境与公众间的动态交互。采用三层自治体系：微观层面的自适应策略、中观层面的叙事驱动力、宏观层面的核心指令。这一层级结构使行为能根据环境线索甚至观众呼吸自然演化，使观众成为过程的共作者。装置以一种类地外改造的未来情景为背景，隐喻历史上对边缘群体劳工的剥削，引发关于人工智能时代责任归属的思考。编排的运动、AI生成的剧本、响应式灯光与飘动雾气，让机器人成为合作者而非工具，构建出一个持续演化的有机艺术体。该作品已在国际多地展出，展示了控制论反馈、机器人实验与概念规则制定如何融合，重新定义当代艺术中的自主性、创作权与伦理边界。
原文摘要 · Abstract (English)
This paper presents Symbiosis of Agents, is a large-scale installation by Baoyang Chen (baoyangchen.com), that embeds AI-driven robots in an immersive, mirror-lined arena, probing the tension between machine agency and artistic authorship. Drawing on early cybernetics, rule-based conceptual art, and seminal robotic works, it orchestrates fluid exchanges among robotic arms, quadruped machines, their environment, and the public. A three tier faith system pilots the ecology: micro-level adaptive tactics, meso-level narrative drives, and a macro-level prime directive. This hierarchy lets behaviors evolve organically in response to environmental cues and even a viewer's breath, turning spectators into co-authors of the unfolding drama. Framed by a speculative terraforming scenario that recalls the historical exploitation of marginalized labor, the piece asks who bears responsibility in AI-mediated futures. Choreographed motion, AI-generated scripts, reactive lighting, and drifting fog cast the robots as collaborators rather than tools, forging a living, emergent artwork. Exhibited internationally, Symbiosis of Agents shows how cybernetic feedback, robotic experimentation, and conceptual rule-making can converge to redefine agency, authorship, and ethics in contemporary art.
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