分析电子音乐中非谐振音高的旋律呈现方式。
Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance
- 通过单个非谐振音序构建双重旋律线
- 揭示不依赖声学共振的音高感知机制
- 适合对电子音乐音高设计感兴趣的创作者
Vitalic 是自2001年以来活跃的电子音乐制作人。其2005年作品《No Fun》的主合成器部分由一系列单个非谐振音构成，呈现出两条同时存在的旋律线。该部分成为研究 Vitalic 使用非声学共振原理音高的起点。本文探讨能引发两个或更多同时音高的音高特性，并分析多种非谐振分音布局。此外还提供了 Vitalic 音乐之外的例子，表明类似音高特征在当代流行音乐中亦可发现。
原文摘要 · Abstract (English)
Vitalic is an electronic music producer who has been active since 2001. Vitalic's 2005 track "No Fun" features a main synthesiser part built from a sequence of single inharmonic tones that evoke two simultaneous melodies. This part serves as a starting point for examining Vitalic's use of tones that do not operate on the principle of acoustic resonance. The study considers tones that evoke two or more simultaneous pitches and examines various inharmonic partial layouts. Examples outside Vitalic's music are also provided to suggest that similar tone properties can be found elsewhere in contemporary popular music.
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