构建伊朗古典音乐结构解析与变奏生成系统,支持非节拍音乐创作。
Grammatical Structure and Grammatical Variations in Non-Metric Iranian Classical Music
- 基于旋律结构语法解析非节拍音乐,提取核心动机与乐句。
- 通过语法变异生成可接受的新变奏,专家评估验证有效性。
- 方法可推广至阿拉伯、土耳其等非节拍古典音乐研究。
本研究构建了一个由非节拍伊朗古典音乐组成的符号化数据集,包含来自《拉迪夫·米尔扎·阿卜杜勒》的达斯加赫·肖尔曲目(MIDI文件与乐谱),并开发了用于结构解析与变奏生成的算法。不同于西方以小节为中心的组织方式,该类音乐采用非节拍结构,可通过我们的解析算法有效捕捉。我们应用此前提出的旋律结构解析算法(Kanani et al., 2023b)对每首曲调(Gusheh)进行解析,生成其语法表示,识别出基本动机与乐句,可用于教学与民族音乐学研究。在此基础上,进一步改进了先前的旋律变奏生成方法:在解析得到的语法基础上施加突变,生成新语法,并展开为原曲的变奏。变奏经领域专家听觉评估,结果显示系统可生成可接受的变体。我们还对不同表示设置下的突变策略进行了统计分析,结论表明该系统能成功生成有效变奏。虽然案例聚焦伊朗古典音乐,但该方法可拓展至阿拉伯或土耳其古典音乐。
原文摘要 · Abstract (English)
In this study we introduce a symbolic dataset composed of non-metric Iranian classical music, and algorithms for structural parsing of this music, and generation of variations. The corpus comprises MIDI files and data sheets of Dastgah Shour from Radif Mirza Abdollah, the foundational repertoire of Iranian classical music. Furthermore, we apply our previously-introduced algorithm for parsing melodic structure (Kanani et al., 2023b)to the dataset. Unlike much Western music, this type of non-metric music does not follow bar-centric organisation. The non-metric organisation can be captured well by our parsing algorithm. We parse each tune (Gusheh) into a grammar to identify motifs and phrases. These grammar representations can be useful for educational and ethnomusicological purposes. We also further develop a previously-introduced method of creating melodic variations (Kanani et al., 2023b). After parsing an existing tune to produce a grammar, by applying mutations to this grammar, we generate a new grammar. Expanding this new version yields a variation of the original tune. Variations are assessed by a domain-expert listener. Additionally, we conduct a statistical analysis of mutation with different representation setups for our parsing and generation algorithms. The overarching conclusion is that the system successfully produces acceptable variations post-mutation. While our case study focuses on Iranian classical music, the methodology can be adapted for Arabic or Turkish classical music.
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