用AI生成音乐，探索作者身份与创作边界的新可能。
"I made this (sort of)": Negotiating authorship, confronting fraudulence, and exploring new musical spaces with prompt-based AI music generation
- 以垃圾邮件为提示词，挑战AI生成非精致音乐的极限。
- 通过大语言模型自问自答，揭示创作者身份的模糊性。
- 适合关注AI艺术、创作伦理与人机协作的读者。
我反思了使用前沿基于提示的AI音乐生成平台创作两张音乐专辑的经历。第一张专辑提出：当我将垃圾邮件与这些平台碰撞时会发生什么？第二张专辑是对此的直接回应，尝试突破当前顶级提示式AI音乐生成平台无法产出非‘练习性’、‘打磨精良’、‘制作完成’音乐的局限。我向大型语言模型（LLM）输入关于这两张专辑的信息，并让它对我进行访谈，由此引发对若干深层问题的探讨：我在多大程度上是作品的作者？我在最终音乐中处于何种位置？随着面对比自己更擅长的机器，我的音乐身份如何变化？我的工作为我或任何其他个体/存在打开了哪些新的音乐空间？最后，我反思了这些反思本身，以及以大语言模型为中介的自我反思作为一种方法的意义。
原文摘要 · Abstract (English)
I reflect on my experience creating two music albums centered on state-of-the-art prompt-based AI music generation platforms. The first album explicitly poses the question: What happens when I collide my junk mail with these platforms? The second album is a direct response to the first, and toys with the inability of state-of-the-art prompt-based AI music generation platforms to generate music that is not ``practiced'', ``polished'', and ``produced''. I seed a large language model (LLM) with information about these albums and have it interview me, which results in the exploration of several deeper questions: To what extent am I the author? Where am I in the resulting music? How is my musical identity changing as I am faced with machines that are in some ways far more talented than I? What new musical spaces does my work open, for me or anyone/thing else? I conclude by reflecting on my reflections, as well as LLM-mediated self-reflection as method.
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