arXiv:2511.08755cs.SD2025-11

用五种方法生成和弦伴奏旋律,发现先生成低音效果最好。

Chord-conditioned Melody and Bass Generation

  • 对比五种基于Transformer的和弦条件生成策略
  • 先生成低音的模型在和弦音使用上更符合音乐理论
  • 适合对音乐风格准确性要求高的生成任务

我们评估了五种基于Transformer的和弦条件旋律与低音生成策略,采用一系列基于音乐理论的度量标准,涵盖音高内容、音程大小及和弦音使用情况。所评估模型包括:(1) 无和弦条件,(2) 独立线性和弦条件生成,(3) 低音优先的和弦条件生成,(4) 旋律优先的和弦条件生成,(5) 和弦条件联合生成。结果表明,加入和弦条件可有效提升风格化音高内容与和弦音使用的再现能力,尤其在低音优先模型中表现显著。

原文摘要 · Abstract (English)

We evaluate five Transformer-based strategies for chord-conditioned melody and bass generation using a set of music theory-motivated metrics capturing pitch content, pitch interval size, and chord tone usage. The evaluated models include (1) no chord conditioning, (2) independent line chord-conditioned generation, (3) bass-first chord-conditioned generation, (4) melody-first chord-conditioned generation, and (5) chord-conditioned co-generation. We show that chord-conditioning improves the replication of stylistic pitch content and chord tone usage characteristics, particularly for the bass-first model.

和弦生成旋律生成低音生成

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