分析音乐人如何与AI协作创作，揭示人机共创的挑战与边界
The use of artificial intelligence in music creation: between interface and appropriation
- 基于人机共舞框架，通过词频分析研究音乐创作中AI使用
- 发现音乐人难以将AI生成内容完全内化为自身创作一部分
- 适合关注人机协作、艺术创作伦理的研究者与创作者
通过2022至2024年两个专业论坛中音乐家与声音设计师在创作、表演、发布与传播活动中的互动，本文提出对相关表述的词频分析。当前具备人工智能的机器带来了新的使用方式与中介形式，对艺术家构成新挑战。研究采用人机共舞框架（Human-AI Musicking Framework），基于内容的词频分析，旨在厘清当前与未来的AI在声音与音乐内容创作中的应用，识别在‘使内容成为自身并融入自我’（Bachimont and Crozat, 2004）这一过程中存在的障碍、阻力与限制。研究聚焦于人机协作情境下，音乐人对AI生成内容的整合困境。
原文摘要 · Abstract (English)
By observing the activities and relationships of musicians and sound designers to the activities of creation, performance, publishing and dissemination with artificial intelligence (AI), from two specialized forums between 2022 and 2024, this article proposes a lexicometric analysis of the representations linked to their use. Indeed, the machine, now equipped with artificial intelligences requiring new appropriations and enabling new mediations, constitutes new challenges for artists. To study these confrontations and new mediations, our approach mobilizes the theoretical framework of the Human-AI Musicking Framework, based on a lexicometric analysis of content. The aim is to clarify the present and future uses of AI from the interfaces, in the creation of sound and musical content, and to identify the obstacles, obstacles, brakes and limits to appropriation ``in the fact of making the content one's own and integrating it as a part of oneself'' (Bachimont and Crozat, 2004) in the context of a collaboration between musician and machine.
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