arXiv:2511.19538cs.CVcs.CL2025-11被引 2

用百万地图数据研究制图演变,揭示地图如何反映政治与认知变迁。

Studying Maps at Scale: A Digital Investigation of Cartography and the Evolution of Figuration

  • 基于77万张地图构建跨世纪数字档案,分析制图空间与时间规律。
  • 发现海上航线、三角贸易与殖民扩张对制图重心的决定性影响。
  • 提出符号语义分割模型,揭示地图视觉表达背后的系统性设计逻辑。

本论文提出方法与数据集,从文化视角大规模研究制图遗产。全球遗产机构已数字化超过一百万张地图,自动化技术使大规模内容识别与提取成为可能。然而,现有方法极少涉及制图史或地图作为语义-符号系统、反映政治与认知期待的文化物件这一观点。本研究整合来自38个数字馆藏的771,561条地图记录与99,715幅数字化图像,经归一化处理后涵盖236,925位贡献者,时间跨度达六个世纪(1492–1948)。该数据支持地理结构与地图出版时间线的绘制。空间焦点分析显示,大西洋航海图谱、三角贸易与殖民扩张之间存在紧密关联。进一步结果揭示了国家与家庭层面关注点的演变,以及军事冲突对出版量的影响。研究引入语义分割与目标检测模型,用于通用土地类型与制图符号的识别,训练基于标注数据与合成图像。土地类型分析表明,地图是精心设计的图像,其构图通过中心化与语义对称突出特定特征。制图表征分析将6300万符号与2500万片段编码至潜在视觉空间,揭示如地形晕线被等高线取代等图式变迁,并发现符号常形成局部一致的系统。合作与传播分析强调合法性、主导机构与主要城市在图式规范与符号文化扩散中的关键作用。

原文摘要 · Abstract (English)

This thesis presents methods and datasets to investigate cartographic heritage on a large scale and from a cultural perspective. Heritage institutions worldwide have digitized more than one million maps, and automated techniques now enable large-scale recognition and extraction of map content. Yet these methods have engaged little with the history of cartography, or the view that maps are semantic-symbolic systems, and cultural objects reflecting political and epistemic expectations. This work leverages a diverse corpus of 771,561 map records and 99,715 digitized images aggregated from 38 digital catalogs. After normalization, the dataset includes 236,925 contributors and spans six centuries, from 1492 to 1948. These data make it possible to chart geographic structures and the global chronology of map publication. The spatial focus of cartography is analyzed in relation to political dynamics, evidencing links between Atlantic maritime charting, the triangular trade, and colonial expansion. Further results document the progression of national, domestic focus and the impact of military conflicts on publication volumes. The research introduces semantic segmentation techniques and object detection models for the generic recognition of land classes and cartographic signs, trained on annotated data and synthetic images. The analysis of land classes shows that maps are designed images whose framing and composition emphasize features through centering and semantic symmetries. The study of cartographic figuration encodes 63 M signs and 25 M fragments into a latent visual space, revealing figurative shifts such as the replacement of relief hachures by terrain contours and showing that signs tend to form locally consistent systems. Analyses of collaboration and diffusion highlight the role of legitimacy, larger actors, and major cities in the spread of figurative norms and semiotic cultures.

制图学文化遗产视觉分析数字人文

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