电子音乐中的808低音与现代古典乐的多声现象在听觉上等价
Methods for Pitch Analysis in Contemporary Popular Music: Multiphonic Tones Across Genres
- 通过听觉实验与信号分析，发现电子音与多声技法共享相似频谱特征
- 10名听众测试显示，两类音均引发多重主观音高感知
- 为流行音乐制作中的音高模糊性提供了理论依据，适合音乐认知研究者
本研究认为当代流行音乐中常用的电子音色——如808低音和强力和弦——在结构与感知上等同于现代古典音乐中的多声现象。通过10名受试者的听觉测试与信号分析，我们发现这两类音色均因相似的频谱与时间特征，引发多重、依赖听者的音高感知。这些发现表明，音高模糊性不仅存在于实验性古典音乐中，也是主流音乐制作的特征。
原文摘要 · Abstract (English)
This study argues that electronic tones routinely used in contemporary popular music - including 808-style bass and power chords - are structurally and perceptually equivalent to multiphonics in contemporary classical music. Using listening tests (n=10) and signal analysis, we show that both types of tones elicit multiple, listener-dependent pitch percepts arising from similar spectral and temporal features. These findings suggest that pitch ambiguity is not confined to experimental classical contexts but is also a feature of mainstream music production.
Thank you to arXiv for use of its open access interoperability. PaperDance 不是 arXiv 官方产品；中文卡片由大模型生成，请以原文为准。