用数字物理流程复活印度神话雕塑，融合文化传承与科技实验
Engineering Mythology: A Digital-Physical Framework for Culturally-Inspired Public Art
- 构建数字-物理工作流，连接印度工匠与美国工程团队
- 在内华达沙漠完成一次性组装，验证材料与协作系统
- 适合跨学科艺术、文化遗产与STEAM教育项目参考
Navagunjara Reborn：奥迪沙的凤凰为2025年燃烧人节打造，既是雕塑也是实验，融合神话、工艺与计算。本文描述该项目开发的数字-物理工作流：从数字雕刻、奥迪沙工匠分布式制造、美国模块化结构优化，到通过摄影测量与数字孪生进行迭代反馈，最终在内华达黑石沙漠一次性完整装配。该沙漠装置不仅测试了材料性能，更检验了跨文化协作系统——工匠与工程师、神话与技术、地方性与全球实验之间的互动。我们总结了设计、制造与部署中的经验教训，并提出一个面向文化传承、STEAM教育与公共艺术交叉领域的框架。回顾可知，这一流程是手工艺实践、结构工程、神话叙事与环境约束等多重知识体系的汇聚，而非单一固定蓝图的执行。
原文摘要 · Abstract (English)
Navagunjara Reborn: The Phoenix of Odisha was built for Burning Man 2025 as both a sculpture and an experiment-a fusion of myth, craft, and computation. This paper describes the digital-physical workflow developed for the project: a pipeline that linked digital sculpting, distributed fabrication by artisans in Odisha (India), modular structural optimization in the U.S., iterative feedback through photogrammetry and digital twins, and finally, one-shot full assembly at the art site in Black Rock Desert, Nevada. The desert installation tested not just materials, but also systems of collaboration: between artisans and engineers, between myth and technology, between cultural specificity and global experimentation. We share the lessons learned in design, fabrication, and deployment and offer a framework for future interdisciplinary projects at the intersection of cultural heritage, STEAM education, and public art. In retrospect, this workflow can be read as a convergence of many knowledge systems-artisan practice, structural engineering, mythic narrative, and environmental constraint-rather than as execution of a single fixed blueprint.
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