用计算方法解析罗西尼同一歌词的多个谱曲版本，揭示创作演变规律。
Advanced Scientific Methodology Plays Rossini
- 通过解析、数据挖掘与图论分析旋律、和声与文本结构。
- 发现多个版本间存在系统性修改模式，展现创作演变轨迹。
- 为音乐文献学提供新方法，适合研究作曲家创作过程者参考。
乐谱不仅提供表演指令，还隐含作曲家意图的线索。作者版本差异及同一文本的复杂修订序列，为分析研究带来挑战。本研究将科学方法应用于音乐文献学，聚焦于乔阿基诺·罗西尼对同一梅塔斯塔西奥咏叹调《我将沉默哀叹》的多个谱曲版本，采用计算分析（包括解析、数据挖掘与图论），系统探究其旋律、和声与文本层面的创作选择。结果在该领域具有开创性意义，为文献学研究奠定基础，并为生成模型探索创作过程提供新路径。
原文摘要 · Abstract (English)
A musical score provides the essential instructions for its performance while containing indications - at times implicit - regarding the composer's intentions. The presence of authorial variants, and even more so complex series of revisions associated with a single text, presents a challenging path for analytical study. This research, situated within the application of Scientific Methodologies to Music Philology, proposes a methodological approach oriented toward the structural analysis of one of the many settings composed by Gioachino Rossini on the same Metastasio arietta ``Mi lagnerò tacendo''. Through Computational Analysis - incorporating parsing, data mining, and graph theory - the melodic, harmonic, and textual compositional choices have been rigorously explored. The results constitute a significant unicum in the field, laying the foundation for a systematic study that supports philological research and paves the way for the use of generative models to investigate the creative process.
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