用1215部法国戏剧揭示经济变迁如何重塑文化表达
Economic Transformation and Cultural Change: Evidence from Two Centuries of French Drama

- 通过主题模型分析1700-1900年戏剧文本,追踪话语变迁
- 18世纪贵族主题退场,1820年后家庭经济议题兴起
- 作者间相互影响与经济敏感性共同驱动文化演变
我们结合计算语言学、计量经济学和形式建模,以1700至1900年间发表的1,215部法国戏剧为实证样本,研究大规模经济转型如何塑造文化生产。通过隐含狄利克雷分配(LDA)分析发现,随着法国资本主义发展,以主权和政治权威为核心的贵族话语逐渐被资产阶级及家庭经济主题取代。贝叶斯向量自回归模型(BVAR)结合最大份额冲击识别法显示,文学对经济冲击的响应存在时序变化:18世纪资产阶级日常生活主题已对GDP波动作出反应,而家庭经济议题的响应则仅在1820年后工业加速时期才显现。离散选择模型表明,作者间的同行效应与对经济环境的敏感性可共同解释这一动态。蒙特卡洛模拟重现了历史轨迹,具有较高拟合度。研究为理解经济变革如何通过可识别的社会机制传播至文化生产提供了量化框架,深化了对文化演化及制度与文学话语长期关系的认识。
原文摘要 · Abstract (English)
How do large-scale economic transformations shape cultural production? We address this question by combining computational linguistics, econometrics, and formal modelling, using French drama as a well-documented empirical laboratory. Applying latent Dirichlet allocation to a corpus of 1,215 theatrical texts published between 1700 and 1900, we show that aristocratic discourse centred on sovereignty and political authority was gradually displaced by bourgeois and household economic themes as French capitalism developed. Bayesian vector autoregressive models with max-share shock identification suggest a temporal shift in the literary response to economic shocks: bourgeois everyday-life themes reacted to GDP shocks in the eighteenth century, whereas household-economic concerns became responsive only after 1820, amid accelerating industrialisation. A discrete-choice model shows that peer effects among authors and sensitivity to prevailing economic conditions can jointly account for these dynamics. Monte Carlo simulations reproduce the observed historical trajectory with reasonable fidelity. These findings offer a quantitative framework for understanding how economic transformations propagate into cultural production through identifiable social mechanisms, contributing to the study of cultural evolution and the long-run relationship between institutions and literary discourse.
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