arXiv:2606.24216eess.AS2026-06

用数字技术复原古乐器声音,让无法演奏的文物重获乐声。

Digital Revival: Acoustic Documentation and Digital Reactivation of Historical Woodwind Instruments

论文配图:Digital Revival: Acoustic Documentation and Digital Reactivation of Historical Woodwind Instruments
图 1 · 摘自论文原文
  • 通过非侵入式声学采样与建模,记录古木管乐器的音色特征。
  • 构建可交互的数字乐器,支持跨音域和演奏技法的对比研究。
  • 适合音乐考古、声学研究及历史演奏实践者使用。

历史木管乐器具有复杂的声学特性,对其音乐性、器物学与文化意义至关重要。但由于材料脆弱、老化及严格的保护要求,许多博物馆收藏的原版乐器已无法演奏,其声学特征未被充分记录,限制了声学研究与历史演奏实践。《数字复兴》项目与阿姆斯特丹国家博物馆和海牙美术馆合作,探索如何通过受控的非侵入式声学采样与数字声音建模,记录、保存并重新激活历史木管乐器的声学特性,同时完全遵守保护规范。录音由保护专家与乐器专家共同设计,结合表演启发的激发方式、高分辨率音频采集与频谱分析,系统记录音色、动态与发音特征。生成的数据集既可用于分析,也可作为可演奏的数字乐器使用,支持对频谱包络、瞬态行为与响应特性的跨音域、跨技法比较。通过电子吹奏乐器(EWI)实现演奏者交互,实现实时控制历史声学素材。项目融合音乐声学、保护科学与艺术研究,提出可持续框架,使历史乐器的声学存在突破博物馆局限,服务于研究、教育与当代演出,不损害原物物理完整性。

原文摘要 · Abstract (English)

Historical woodwind instruments exhibit complex acoustic behaviors that are central to their musical, organological, and cultural significance. However, due to material fragility, aging, and strict conservation requirements, many original instruments held in museum collections can no longer be played. As a result, their acoustic identity remains insufficiently documented, limiting both acoustical research and historically informed performance practice. Digital Revival is an ongoing research project developed in close collaboration with the Rijksmuseum (Amsterdam) and the Kunstmuseum Den Haag. The project investigates how controlled, non-invasive acoustic sampling and digital sound modeling can be used to document, preserve, and reactivate the sonic characteristics of historical woodwind instruments while fully respecting conservation constraints. Recording sessions are designed in consultation with conservators and instrument specialists and combine performance-informed excitation, high-resolution audio capture, and spectral analysis to document timbral, dynamic, and articulatory features. The resulting datasets function both as analytical resources and as playable digital instruments, enabling comparative study of spectral envelopes, transient behavior, and response characteristics across registers and playing techniques. Performer interaction is explored through electronic wind instruments (EWI), allowing real-time control of historically derived sound material. By integrating musical acoustics, conservation science, and artistic research, Digital Revival proposes a sustainable framework for extending the acoustic presence of historical instruments beyond the museum context, supporting research, education, and contemporary performance without compromising the physical integrity of the original artifacts.

古乐器声学建模数字保存交互音乐

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