构建真实电影退化模拟与评估基准,提升修复模型泛化能力
AbsoluteDegradation: A Physics-Inspired Synthetic Film-Degradation Pipeline and Archival Film Restoration Benchmark
- 基于物理规律的模块化退化生成管道,模拟颗粒、划痕与运动模糊
- 创建81,576帧高分辨率档案影像数据集,支持真实场景评估
- 推动修复模型可复现性,揭示现有方法系统性缺陷
档案电影修复因缺乏成对训练数据和标准化评估基准而面临根本性挑战。原始未退化影像在物理上不可恢复,导致监督方法依赖合成数据,但现有合成数据难以捕捉真实退化的复杂时序特性。同时,真实数据集规模小、质量参差且难获取,阻碍了方法的可靠评估与公平比较。本文提出AbsoluteDegradation,一个基于物理启发的模块化退化生成管道,将模拟从模拟到数字的全过程视为多种伪影族的结构化组合,包含信号相关颗粒、参数化划痕及时间连贯的相机运动,实现多样化退化场景的可控生成。同时,构建了一个包含81,576帧高分辨率真实档案影像的精选数据集,用于在真实条件下的统一评估。实验表明,使用AbsoluteDegradation训练的模型在真实影片上泛化性能更优,该基准也揭示了当前方法的系统性失效模式。本工作旨在为档案电影修复建立可复现、领域真实的评估基础。
原文摘要 · Abstract (English)
Restoring archival film remains a fundamentally challenging problem due to the absence of paired training data and the lack of standardized evaluation benchmarks. Pristine versions of deteriorated footage are physically unrecoverable, requiring supervised methods to rely on synthetic data that often fail to capture the complex, temporally coherent nature of real film degradation. At the same time, existing real-world datasets are limited in scale, quality, and accessibility, hindering reliable evaluation and fair comparison across methods. We address both limitations with AbsoluteDegradation, a physics-inspired, modular pipeline for synthesizing realistic film degradations, and a new large-scale archival benchmark. The proposed pipeline models the analog-to-digital process as a structured composition of artifact families, incorporating signal-dependent grain, parametric scratches, and temporally coherent camera motion, enabling controlled generation of diverse degradation regimes. In parallel, we introduce a curated dataset of 81,576 high-resolution frames sourced from real archival footage, designed for consistent evaluation under real-world conditions. Together, these contributions provide a unified framework for training and benchmarking restoration models. Extensive experiments across multiple architectures show that models trained with AbsoluteDegradation generalize better to real-world footage, while the proposed benchmark reveals systematic failure modes of current methods. We hope this work establishes a foundation for reproducible and domain-authentic evaluation in archival film restoration.
Thank you to arXiv for use of its open access interoperability. PaperDance 不是 arXiv 官方产品;中文卡片由大模型生成,请以原文为准。