让语言成为创作材料，探索AI与创作者的开放式互动。
Language as a Material Interface for Creative LLM Interaction
- 将语言视为可操作的创作素材，而非单纯指令。
- 发现四种语言使用模式与多时间尺度的创作节奏。
- 适合艺术、设计等开放性创作人群参考。
尽管指令式提示是当前与大语言模型（LLMs）交互的主流方式，但许多创造性实践依赖于开放、联想、音韵美感、象征意义的语言，并在多重时间维度中展开。本文探讨当语言被视为物质而非仅作指令时，创作者如何与AI系统协作。研究通过为期两周的生态学研究，邀请四位创意实践者使用一个设计探针——膜因混合器（Memetic Mixer），这是一个具身交互装置，限制与LLM的互动形式。通过对访谈记录和设备日志的分析，识别出参与者在与AI互动及创作实践中表现出的不同语言使用模式与时间形态。研究反思这些发现，提出支持创意实践中开放式人机交互的设计建议。
原文摘要 · Abstract (English)
Although directive prompting is the predominant way to interact with Large Language Models (LLMs), many creative practices rely on language that is open-ended, associative, phonaesthetic, symbolic, and that unfolds across multiple temporalities. In this work, we explore how creative practitioners might work with AI systems when language is treated not merely as instruction but as material. We conducted an ecological two-week study with four creative practitioners using a design probe: the Memetic Mixer, a tangible interactive device that constrains interaction with an LLM. Analysis of post-study interviews and device logs identified distinct modes of material language use and temporalities that shaped each participant's engagement with AI and their creative practice. We reflect on these findings and contribute design considerations that support open-ended interaction with AI in creative practice.
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