厘清声音化技术的本质，为科学与艺术融合提供哲学依据
What Is Sonification? Toward a Philosophy of Sonification
- 基于材料认知论构建声音化技术核心机制
- 揭示跨领域应用中保持本质一致性的原理
- 适合研究声音化、人机交互与跨学科设计者
声音化在科学、艺术与设计中广泛应用，但其概念身份仍模糊：是音乐、科学方法，还是混合实践？本文提出一种哲学框架，将声音化视为一种连贯的跨类别实践。基于古斯塔沃·布埃诺的物质认识论，通过系统化的数据-声音映射关系，界定其技术本质；结合吉尔伯特·西蒙东的个体化哲学，阐明声音化如何在不同情境中适应而保持其操作结构。通过区分技术身份与实用用途，该框架厘清了声音化、音乐与美学之间的关系，为研究者和实践者提供了导航多样性的哲学工具，同时维护其认识论与操作完整性。
原文摘要 · Abstract (English)
Sonification operates across scientific, artistic, and design contexts, yet its identity remains conceptually ambiguous: is it music, a scientific method, or a hybrid practice? This paper presents a philosophical framework that treats sonification as a coherent, transcategorical practice. Drawing on Gustavo Bueno's materialist gnoseology, we identify its operative core through systematic data-to-sound relationships that define its technical identity. Complementing this with Gilbert Simondon's philosophy of individuation, we show conceptually how sonification adapts across contexts while preserving its operative structure. By distinguishing between technical identity and pragmatic use, this framework clarifies the relationship between sonification, music, and aesthetics, providing researchers and practitioners with a philosophical framework to navigate the field's diversity while maintaining its epistemic and operational integrity.
Thank you to arXiv for use of its open access interoperability. PaperDance 不是 arXiv 官方产品；中文卡片由大模型生成，请以原文为准。