arXiv:2608.28699cs.CV2026-08

为电影理解设计更符合叙事逻辑的视频分割方法

Beyond Visual Boundaries: Rethinking Scene Segmentation for Movie RAG

论文配图:Beyond Visual Boundaries: Rethinking Scene Segmentation for Movie RAG
图 1 · 摘自论文原文
  • 基于物理、角色与叙事三层次认知标注,构建叙事导向的视频分割数据集
  • 相比均匀分段,新方法在电影理解任务上显著提升表现
  • 适合需要深层剧情理解的多模态大模型研究者使用

长视频理解仍是多模态大语言模型的核心挑战。稀疏采样难以捕捉细节,密集采样又超出上下文长度限制。检索增强生成(RAG)通过选择性召回相关视频片段实现精准生成,但其效果高度依赖于检索单元的质量。本文聚焦电影理解场景,要求模型具备跨越数小时内容的角色、事件与叙事弧线推理能力。传统场景分割虽被视作理想的检索单位,但我们通过下游任务评估发现,现有方法表现不及简单的均匀时间分块。对主流场景分割基准的审计显示:当前标注更关注视觉显著性转换,而非叙事结构。为此,我们提出NarraScene——一个以叙事为中心的场景分割数据集,采用涵盖物理、角色和叙事三层次变化的认知分类体系,每个有效边界必须对应叙事层面的变化。使用这些基于叙事的片段作为检索单元,在电影理解任务中优于均匀分块,表明电影RAG中场景分割的核心问题并非边界检测,而是识别对理解真正重要的叙事事件单元。

原文摘要 · Abstract (English)

Understanding long-form video remains a fundamental challenge for multimodal large language models (MLLMs). Sparse frame sampling fails to capture fine-grained visual details, while dense sampling quickly exceeds context length limits. Retrieval-augmented generation (RAG) offers a promising middle ground by selectively retrieving relevant video segments for grounded generation, yet its effectiveness critically depends on the quality of the video segments used as retrieval units. In this paper, we investigate RAG for movie understanding, which demands story-level reasoning over characters, events, and narrative arcs spanning hours of content. Scene segmentation, a long-studied problem that partitions movies into semantically coherent units, is a natural candidate for defining such retrieval units. We reexamine whether existing methods actually serve this role through comprehensive evaluation on downstream movie understanding tasks, and find that they consistently fail to outperform naive uniform temporal chunking. Our audit of the most standard scene segmentation benchmarks reveals why: current annotations prioritize visually salient transitions over narrative event structure. Motivated by this mismatch, we introduce NarraScene, a narrative-centric scene segmentation dataset annotated with a three-level cognitive taxonomy spanning physical, character, and narrative change, where every valid boundary requires a narrative-level shift. When used as retrieval units, these narrative-grounded segments outperform uniform chunking on downstream movie understanding tasks, suggesting that the central challenge for scene segmentation in movie RAG is not detecting boundaries, but identifying the narrative event units that matter for movie understanding.

视频理解叙事结构RAG场景分割

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